We paint our own frescoes.

One large-scale painting in which three handwritings melt into a single shared one. An imaginary return to the medieval workshop, where many hands sign one and the same format. We carry on a dynamic dialogue, and it is different every time. A landscape motif, a symbolic object or a colour tone is just as essential to painting our fresco as the chosen rhythm. Through our painting we try to express a feeling of space. To plan, but not at any cost. The plaster dries fast and we act fast.